Tag Archives: Munich

Make Something

Baroque Figures, Study No. 3. Asamkirche, Munich, Germany.

Baroque Figures, Study No. 3
Asamkirche, Munich, Germany, 2017

Do you know a writer who doesn’t write?  A painter who doesn’t paint?  A musician who rarely plays their instrument?  Maybe, a photographer who rarely gets out their camera to photograph?

I bet you’ve met a few folks like this.  There’s a lot of people out there who are more in love with the idea of being an artist than actually being an artist.

Real artists make things.  Writers make prose, painters make paintings, musicians make music.  And, photographers make photographs.

It doesn’t matter if your photographs are good or not.  If they’re not good, don’t share them, maybe throw them away.  I’ve made many, many photographs that have never seen the light of day.  The point is to be making them – if you’re making them, you’re being an artist.  If you’re not making them, well… you know.

Making something isn’t about numbers or time.  Some people will have a high output of work, some people will have a low output of work.  It’s also, of course, okay (and even desirable) to rest or take time off now and then.  There are no hard or fast rules, everyone is different.  In your heart, you’ll know if you’re making the cut or not.

Because ultimately, making things is where the rubber meets the road.  If you’re an artist – get out there and make something.

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I Make the Photographs I Want to See

Baroque Figures, Study No. 2. Asamkirche, Munich, Germany.

Baroque Figures, Study No. 2
Asamkirche, Munich, Germany, 2017

There’s a lot of photography being done out there these days, and a lot of reasons being given for making photographs.  In the art community, in particular, it often seems to me that a photograph is not seen to be complete without a small treatise of theory and explanation to accompany it.

Introspection in an artist is a good thing.  I like to think about the reasons I do what I do, and certainly I encourage anyone engaged in an artistic discipline to do the same.  But it can be taken too far, I think.  Getting too wrapped up in the theory and explanation of photography takes away from its practice.  It can get in the way of producing work or, even worse, compromise the purity of the work being done.

There are many reasons I practice photography, but only one that underlies them all – I strive to make the photographs that I want to see.  I think this both helps to keep me grounded in my approach to photography and keeps me true to my own internal vision in my practice of it.

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When We Look at Our Photographs

Baroque Figures, Study No. 1 Asamkirche, Munich, Germany, 2017

Baroque Figures, Study No. 1
Asamkirche, Munich, Germany, 2017

When we look at our photographs and find not the slightest reflection of ourselves, it’s a good sign that our images have lost their souls.

– David duChemin

For the record, I’ve always considered my photographs to be highly reflective of myself.  For better or for worse, I can’t imagine undertaking photography (or any kind of art) in any other way.

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