I’m excited to share that five of my images are being shown in Denver this month, including the image above, “Longs Peak, Indian Summer.”
This image is one of my personal favorites. It was my first image ever to be accepted into a juried exhibition, and has since proven to be one of my more popular images. But that’s not why it’s one of my favorites. It’s one of my favorites because it embodies the idea that having a creative vision is more important than being a master technician.
This image was literally among the first captures I ever made when I started pursuing photography back in 2006. It was taken with my first digital SLR camera, a 6.1 megapixel Pentax *istDL with a Pentax 75-300 SMC lens. As might be expected from a novice, it had a lot of technical problems. It sat on my hard drive for six years before my technical skills caught up to my vision for what the image could be. In 2012, without any advance planning or forethought that I was going to work on it, I suddenly opened it up one day and over the course of several hours created the image above.
Did technical skills play a role? Absolutely. A fair amount of work was involved, including sharpening up some blurry edges, evening out the contrast in the foreground, and creating a tonal gradient in the background. Perhaps most importantly, cropping to the 3.4:1 aspect ratio emphasized the long horizontal lines of the composition in a way that the initial 3:2 aspect ratio did not.
Am I therefore a master digital darkroom technician? Certainly not. I know just enough to get me by, and that’s enough. Don’t get me wrong – I value technical ability and am always striving to improve my technique and skill. But technique should not get in the way of vision, and skill need only be good enough to communicate the vision underlying an image.
I’m a bit of a perfectionist by nature. If I had demanded perfect technical ability in the making of this image – both in the initial capture seven years ago and in the digital darkroom editing last year – I would never have made this image at all. Instead, once I realized my technical ability was sufficient to communicate my vision for the image, I was happy to do so.
For those who are interested, here are the other four images currently being exhibited:
You can see them at Alpine Fine Art, 826 Santa Fe Drive in Denver’s Santa Fe arts district. There’s plenty of other nearby galleries you can visit too, including the John Fielder photography gallery across the street and the Denver School of Photography a couple of doors down.
While you’re in the area, you may as well stop by the Denver Art Museum as well. The Georgia O’Keefe exhibit is up until April 28th, and I was inspired in particular by a small pencil and watercolor (if memory serves) of an adobe studio doorway I had not seen before.