Monthly Archives: August 2016

When Words Fail

A Bristlecone Pine and a View Mount Goliath, Colorado, 2015

A Bristlecone Pine and a View
Mount Goliath, Colorado, 2015

One reason I like photography (and painting, and sculpture, and all of the visual arts, really) is that it is communication without words.  I suppose this concept is fairly obvious to understand, but really, it’s pretty deep with you think about it.  If you’ve been moved by a work of visual art (and I hope you have), it’s not because someone described it to you, or explained it to you, or communicated the nature of it to you in a code of linguistic symbols having abstract meanings attached thereto by which we exchange concepts and ideas with one another.  It’s because when you looked at it, it acted on you in ways that defy speaking and writing, that refuse to engage the cognitive and reasoning parts of the brain that are required to process language.  Instead, it reached out and touched the parts of your brain that don’t work on a linguistic level, but that respond instead to line and shape, to tone and luminosity, to space and arrangement, and it made you

feel something

That’s pretty cool.

Not a slam on my writer friends in the audience, just an interesting observation.

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My Work is Changing

Under the Windswept Sky Windy Ridge, Near Alma, Colorado, 2016

Under the Windswept Sky
Windy Ridge, Near Alma, Colorado, 2016

Life is a series of natural and spontaneous changes.  Don’t resist them – that only creates sorrow.  Let reality be reality.  Let things flow naturally forward in whatever way they like.

- Lao Tzu

My work is changing.

I didn’t really notice it myself until a friend pointed it out, but now I can see that my recent work looks different than my earlier work, at least to my (and my friend’s) eye.  It’s not a sudden break or dramatic shift from what I’ve done before, but more like a gradual change over time that you don’t notice while it’s happening but only after you’ve come a way and look back at where you were.

I can’t quite put my finger on what has changed.  I will say that I’ve become more aware of the emotional communication of what I make.  When I started in photography, the most direct way I connected with the work I was producing was in terms of its visual communication.  The message of the image was communicated primarily by my manipulation of visual elements such as lines and forms, brightness and contrast, etc.

I think I still work this way on a conscious level, but now I think I also am aware of what the image makes me feel like when I’m done with it.  Sometimes this feeling simply is what I was feeling when I captured the image in the field, and sometimes it is what I was feeling when I edited the image after capture, which can be quite different.  The point is that mere manipulation of visual elements is not enough, there has to be emotional content to the image as well.  Perhaps this always has been the case, and I simply now am more conscious of it than I used to be.

I’m very aware that I could have edited this image differently, to make it look perhaps more “pretty.”  But, without getting specific about it, I will say this edit more accurately reflects what I was feeling at the time I did the editing.

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